Seberg: Jean in a Bottle
At the tail end of last year, Seberg was given a pro forma release in New York to make it eligible for the Oscars....
The Lodge: Dead Snow
Five years ago, the filmmaking team of Severin Fiala and Veronika Franz captured the world’s attention with Goodnight Mommy, a horror movie they made...
Marriage Story: Split
Oh, Noah Baumbach, you magnificent bastard. This highly literate filmmaker often writes about scabrous divorces, and you’d be hard pressed to find one more...
Irishman: Made Man
In the end, The Irishman’s winless fate at the Oscars was probably down to a surfeit of woe-is-me tales about aging white guys like...
Birds of Prey: Harley Har Har
Here’s a modest prediction: I don’t think Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) will be nominated for the Best...
Odds and Ends
Since the Oscars are happening early this year, so is this annual piece of mine in which I write miniature reviews for movies from...
Clemency: Death Row Blues
This Oscar season, there has been a devoted contingent arguing for Clemency (ooh, I stumbled into that one!), the death penalty drama that plays...
Best Documentaries of ’19
What’s the deal with documentaries made up only of found footage? Apollo 11 and Amazing Grace have been on a great many lists of...
1917: One Shot
Sam Mendes’ war films like Jarhead and the current 1917 have tried to replicate the visceral thrill and horror of combat without glorifying it....
In Fabric: Killer Outfit
There’s no getting around this: In Fabric is about a dress that kills everyone who wears it. Much like Quentin Dupieux’s Rubber (which is...
