Synchronic: Orangutang Fucking Crazy
You may not know the names of Justin Benson and Aaron Moorhead. I’ve been tracking this filmmaking team for a while now. I liked...
Kid Detective: The Hardy Man
The Kid Detective is set in a place that’s familiar from other children’s movies, one of those quaint, picturesque small towns where the streets...
On the Rocks: Daddy Issues
Like Woody Allen, Sofia Coppola is a filmmaker who has come in for criticism for the at-times aggressive whiteness of her characters, even if...
Yellow Rose: Broken Axle
A few years ago, I wrote about the AMC Grapevine Mills starting to show Filipino films. Since then, I’ve been regularly disheartened by the...
Possessor: Some Bodies
I’m trying to avoid the clichés endemic to film critics when I’m talking about Andrea Riseborough, but it isn’t easy resisting the temptation to...
Kajillionaire: July Heist
Of all the filmmakers to make a caper film, Miranda July would have ranked very low on the list of people I’d expect. The...
The Nest: Keeping Up Appearances
We haven’t heard much from Sean Durkin since his debut feature almost a decade ago, Martha Marcy May Marlene. I could be wrong, but...
Tenet: If I Could Turn Back Time
They say that life can only be understood backward but must be lived forward. Well, Christopher Nolan says, “Screw all that. We can do...
David Copperfield‘s Tricks
I had all these complex theories about why there are so few good film versions of Charles Dickens’ novels. Then I saw The Personal...
Words on Bathroom Walls: Plummer and Chef
A plurality of movie theaters reopens in Tarrant County this week. Along with so much else, the coronavirus epidemic has shifted the parameters of...
