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Wednesday, December 18, 2024

The Show

The Show

The Show

The Show

The Show

The Show

The Show

Ghostcar

Blending some of the finest players from some of North Texas’ most formidable — and departed — bands, Ghostcar is an achievement of out-of-the-box...

Teenage Symphony

At what point does a fascination with childhood become just plain creepy? Like Denton’s Polyphonic Spree and other orchestral, choral pop groups, Teenage Symphony draws...

Eli Young Band

For several years now, I’ve been bitching about the way Texas Music evolved into a bunch of one-trick pony posers. You know the rant —...

Patrice Pike

Let’s hear it for the girl! No, scratch that. Let’s hear it for the woman! A lot of not-so-spring chicks are putting their stiletto heels...

Eisley

Eisley’s second, as-of-yet-unnamed album, the follow-up to their 2005 major label debut, Room Noises, should be out this spring. The family band of three...

The Burning Hotels

The Burning Hotels often get compared to The Killers. But the local quartet does the disco-rock darlings somewhat differently, chiefly by stressing melancholy over...

Urizen

Urizen is a local metal quartet, though “metal” may be too limited a word to describe exactly the kind of racket Urizen makes. Their...

The Evangelicals

Any band that opens an album with a minute-long instrumental prelude of squiggling, squealing synth guitar lines — and calls it “Mouthful of Skeletons”...

Motley Crue

Aerosmith and Mötley Crüe are in town tonight at the Smirnoff, and if the pairing seems a little odd, realize that the bands have...

Red Monroe

Red Monroe’s influences are obvious: the Stones, New York Dolls, The Animals, Moby Grape, and even a little Hold Steady action. But the Dallas...