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The Burden Brothers
No reason to describe this one in faux-poetic terms or edu-ma-cational journalism. The Burden Brothers’ new album Mercy rocks your backside about 75 percent...
The Damnwells
The Damnwells have come a long way since recording their debut c.d., the stripped-down Bastards of the Beat, in a mini-storage unit in Manhattan....
Red Scare
The five guys in Red Monroe think of themselves primarily as a live act — they say that onstage is where their bombastic post-punk...
Urizen
Urizen is a local metal quartet, though “metal” may be too limited a word to describe exactly the kind of racket Urizen makes. Their...
Bonnie “Prince” Billy
Multitalented artist Will Oldham has kept busy over the past couple of years.
He’s acted in critically acclaimed films, including last year’s Junebug and...
Doug Sahm
Maybe Doug Sahm never became a household name because he wasn’t an easy-to-categorize, one-note musician.
He wandered through blues, R&B, country, Tex-Mex, rock, and,...
Sunday Drive
Sunday Drive’s Needle/Eye has a solid, guitar-based indie rock vibe, but the Dallas band’s third studio album does generic indie one better by being...
Packing Gatts, Clocking SAT’s
Nerdcore reached its nadir, to use a geeky term, a few years ago, with the debut c.d. from novelty act MC Hawking. The make-believe...
Coal Fever
In James Michael Taylor’s new album, Slaughter Mountain, the singer-songwriter persuades us to walk a country mile — and then some — in his...
The Evangelicals
Any band that opens an album with a minute-long instrumental prelude of squiggling, squealing synth guitar lines — and calls it “Mouthful of Skeletons”...
