What’s Up, 2014?!
The past couple of weeks have been for looking back, and there was a lot of good to refer to, even beyond quality albums...
Swindle Boys’ Motion: Major Balls
On Swindle Boys’ new, sophomore recording, the EP Motion, the huge choruses, driving rhythms, and frontman Joey Swindle’s breathy, powerful, heart-on-his-sleeve vocals immediately call...
Best Local Albums of ’13
Fort Worth produced a ton of good records this year, and there’s just so much to choose from that compiling a judicious list of...
Finding Lost Child
Monday nights have been pretty rad at Lola’s over the past month. Bartender (and sax-man extraordinaire) Jeff Dazey started booking free shows on the...
Holy Moly: Brothers’ Keepers
The last time Holy Moly played Billy Bob’s Texas, a mosh pit broke out, a first for the World’s Largest Honky-tonk®. You’ve got to...
SoundClash ’13: Irie Times
The year 2004 seems like forever ago. The music scene hereabouts was only a fraction of what it is now. The only day-in/day-out rock...
Chuggin’ Monk: Indie Music to Arlington
Arlington is a lot of things: rollercoaster capital of North Texas, home of JerryWorld, chain-restaurant wasteland. What the city has never been is a...
GRO-ing Up
Somewhat quietly, Green River Ordinance has become Fort Worth’s most famous rock export not named The Toadies. The band has been around for an...
Curtis Heath Benefit Sunday
In the annals of Fort Worth music, The Theater Fire looms large. Smart, dusty, and melancholy, the quintet managed to bridge all kinds of...
Dr. Wu’s Diagnosis? More Blues
Like commercial-radio country, heavy metal, and hip-hop/R&B, the blues gets a bad rap. “It’s boring,” some people cry. “It’s too noodly,” lament others. And,...
