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Damn, Dirty Apes
Never mind the bollocks.
No, seriously. Never mind the bollocks — and the severed limbs, and the homicidal monkeys, and the ugly faces twisted into...
Lost in thought and balletic reverie
To a lot of viewers and critics, the title Lost has become a bad pun on the show itself.
Over the course of the...
Big Shoes to Backfill
Architect Ames Fender’s grandfather is Wyatt C. Hedrick, the man who’s most responsible for the way that much of Fort Worth looks — he...
A Lonesome Dove and a Yalid
Filmmaker David H. Hickey is an oddity in these parts — he generally avoids making movies about dead teenagers.
Sure, as an actor, he’s open...
Rooting for Roots
What an odd book — fascinating at times yet frustrating in its lack of organization and purpose.
The title, True to the Roots: Americana...
Women’s Lib-ido
With their fervent and cunning production of Steve Martin’s adaptation The Underpants, Theatre Arlington and director B.J. Cleveland have done something unexpected — reminded...
A Dream Not Deferred
Ed Smith, the man who has replaced the late Rudy Eastman as artistic director of Jubilee Theatre, has taught graduate level theater courses in...
To the Stars
In his major American debut more than 40 years ago, tenor Plácido Domingo sang Edgardo in Fort Worth Opera’s production of Lucia di Lammermoor....
Show Offs II
They just don’t stop making art in Texas, which is why you can’t go wrong with a show devoted to up-and-coming new talent.
That’s...
Dash It, ‘Jeeves’!
In 1957, the prolific author and playwright P.G. Wodehouse said, “I go in for what is known in the trade as ‘light writing,’ and...
