OPENING
American Insurrection (R) Not a movie about the January 6 coup attempt, this science-fiction thriller is set in a dystopian future America where the government tracks anyone who is not straight, white, and Christian. Starring Nadine Malouf, Nick Westrate, Brandon Perea, Sarah Wharton, and Michael Raymond-James. (Opens Friday in Dallas)
Doctor (NR) This Tamil-language drama stars Sivakarthikeyan, Vinay Rai, Yogi Babu, Priyanka Arul Mohan, Milind Soman, and Shaji Chen. (Opens Friday)
Konda Polam (NR) This Telugu-language adventure film stars Panja Vaisshnav Tej, Rakul Preet Singh, Sai Chand, Kota Srinivasa Rao, and Ravi Prakash. (Opens Friday)
South of Heaven (NR) Jason Sudeikis stars in this drama as a felon recently released from prison who finds that his childhood sweetheart (Evangeline Lilly) is now terminally ill. Also with Shea Whigham, Mike Colter, Michael Paré, and Amaury Nolasco. (Opens Friday in Dallas)
Survive the Game (R) This thriller stars Chad Michael Murray and Sarah Roemer as a couple on a farm who are threatened by both a cop (Bruce WIllis) and a couple of criminals. Also with Donna D’Errico, Zack Ward, Kate Katzman, and Sean Kanan. (Opens Friday at América Cinemas Fort Worth)
NOW PLAYING
The Addams Family 2 (PG) The animated films are engagingly weird and can indulge in the sort of large set pieces that the old TV show couldn’t. In this sequel to the 2019 film, Gomez (Oscar Isaac) drags the family on a cross-country road trip to conceal the revelation that Wednesday (voiced by Chloë Grace Moretz) might have been switched at birth with the baby of a Silicon Valley tech mogul (voiced by Bill Hader) who now wants to claim her. Moretz does well with Wednesday’s affectless demeanor but is missing the edge of creepiness that Christina Ricci brought to the part in the 1990s live-action movies. Even so, the film has set pieces like her being forced to compete in a child beauty pageant in Texas and a climactic brawl when Uncle Fester (voiced by Nick Kroll) is turned into a Lovecraftian monster and has to fight off a giant horse/pig/rooster/elephant. Additional voices by Charlize Theron, Javon “Wanna” Walton, Wallace Shawn, Brian Sommer, Cherami Leigh, Snoop Dogg, and Bette Midler.
Black Widow (PG-13) The film doesn’t bring much closure to the story of Scarlett Johansson’s character, and it feels like Marvel never appreciated her. Even so, this thriller works well on its own. The film delves into Natasha Romanoff’s backstory and sees her reunite the members of her fake family of Soviet agents (Florence Pugh, Rachel Weisz, and David Harbour) to liberate an army of brainwashed assassins from the control of a Russian general (Ray Winstone). The idea of a male villain who can rob women of their ability to consent is a tantalizing idea that goes unexplored, as does Natasha’s past as a minion of evil. The better parts of the film are the ones dealing with the family getting back together, with a scene-stealing and hilarious turn by Pugh. Australian director Cate Shortland (Lore) assimilates well into the Marvel house style, too. If this doesn’t fit well into the Marvel canon, it’s still proudly female and the best blockbuster of the summer. That’s not nothing. Also with Olga Kurylenko, O-T Fagbenle, Ever Anderson, Violet McGraw, William Hurt, and an uncredited Julia Louis-Dreyfus.
Candyman (R) The sequel to the 1992 horror film is dense with ideas and a pleasure to look at. Taking place in a now-gentrified Cabrini Green neighborhood, an artist (Yahya Abdul-Mateen II) finds out about the urban legend and becomes obsessed, making Candyman-inspired art and bringing back the hook-handed undead man who hacks people to death if they say his name into a mirror five times. The script co-written by Jordan Peele expertly skewers the academic jargon of pretentious artists and cuts it with poisonous barbs about race relations. The Candyman goes from boogeyman of the hood to symbol of the Black community’s anger at generations of victims of white brutality. Mateen gives a great performance as a man unraveling physically and mentally, and director/co-writer Nia DaCosta gives the whole thing a lush look appropriate to the art-world setting. Also with Teyonah Parris, Colman Domingo, Nathan Stewart-Jarrett, Kyle Kaminsky, Brian King, Miriam Moss, Rebecca Spence, Michael Hargrove, Carl Clemons-Hopkins, Heidi Grace Engerman, and Vanessa Williams.
Cry Macho (PG-13) The analysis of Western cowboy manhood is skin-deep compared to Clint Eastwood’s better, more energetic films. He plays a washed up ex-rodeo star in 1980 whose boss (Dwight Yoakam) pays him to go to Mexico and retrieve his teenage son (Eduardo Minett) from his abusive mother. Most of the scenes involve Eastwood and the kid as they travel back to Texas, and chemistry simply isn’t there. We’re also saddled with a soggy romantic plot between the old man and a kind Mexican cantina owner (Natalia Traven). The film is supposed to climax with the old man telling the boy that the cult of violent masculinity is just so much crap, and the movie would work better if the action of the story had worked to that end. Also with Fernanda Urrejola, Ivan Hernandez, Jorge-Luis Pallo, and Marco Rodriguez.
Dear Evan Hansen (PG-13) Yes, Ben Platt just turned 28 and is too old to be playing the teenage protagonist in the film version of the much-acclaimed Broadway musical. There’s still stuff to like. His Evan is a high-school senior with crippling social anxiety, and when a classmate with behavioral problems (Colton Ryan) kills himself, the other boy’s mother (Amy Adams) mistakes Evan for her son’s best and only friend. Director Stephen Chbosky has experience with teen drama (The Perks of Being a Wallflower), but he doesn’t have the instincts for a musical. Too often the camera simply sits there during the songs while the actors do the same, and it’s a major reason why the film loses its early momentum. This does a disservice to the cast, who sing the songs impeccably. The songs are by Benj Pasek and Justin Paul, the team that wrote the music for The Greatest Showman. This is a better film, because it doesn’t sell uplift in that cheap, toothy, believe-in-yourself way. Also with Julianne Moore, Kaitlyn Dever, Amandla Stenberg, Nik Dodani, and Danny Pino.
Don’t Breathe 2 (R) The blind villain from the original film raped and forcibly impregnated one woman and tried to do the same to another, in addition to murdering several people. To make him palatable as a protagonist, the sequel pits him against people who are somehow even worse. The man has set up another secluded home outside Detroit with his young daughter (Madelyn Grace) when she’s targeted by a group of dishonorably discharged soldiers who are now working for a child organ trafficking ring. The premise’s novelty has worn off, but new director Rodo Sayagues does well staging the action scenes as this survivalist deals with a home invasion, and the script acknowledges that the little girl is traumatized by seeing her dad gruesomely kill the bad guys. Hard to see where a third movie would pick up, so this is a good place to end the series. Also with Brendan Sexton III, Rocci Williams, Stephanie Arcila, Adam Young, Fiona O’Shaughnessy, and Bobby Schofield.
The Eyes of Tammy Faye (PG-13) Jessica Chastain really looks nothing like Tammy Faye Bakker, which makes her transformation into the heavily made-up televangelist all the more remarkable. She plays Tammy Faye as she goes to Bible college, marries Jim Bakker (Andrew Garfield), and builds America’s fourth-largest TV network in the 1980s before it all turns out to be a Ponzi scheme about God. The movie is sadly lacking when it comes to connecting the Bakkers’ tacky materialism with today’s mainstream evangelical Christianity, or considering the meaning behind the public opprobrium faced by Tammy Faye. The lead performances are much more carefully thought out, with Garfield playing Jim as a monster of self-pity and Chastain depicting Tammy as a woman scarred by poverty and medicating herself with prescription drugs and the trappings of wealth. The movie tells us nothing new about the phenomenon of the Bakkers, but the performances make us feel like we understand them as people. Also with Vincent D’Onofrio, Sam Jaeger, Randy Havens, Mark Wystrach, Gabriel Olds, Fredric Lehne, and Cherry Jones.
Free Guy (PG-13) It’s like The Truman Show, but for video games. Ryan Reynolds stars as a bank teller inside an ultraviolent video game who discovers that he is just a non-playable character in a game and starts deviating from his programming. This movie is more attuned to gaming culture than most, with real-life YouTube and Twitch gamers making cameo appearances to comment on an NPC suddenly acting on his own. Neither of the movie’s romantic plots works, but the actors bring great energy, with Taika Waititi nailing the part of a T-shirt-wearing corporate tyrant, Jodie Comer switching gleefully between a blonde American gamer and her brunette British alter ego, and Reynolds doing well as a man who’s so square that he’s hip. Movies adapted from video games suck, but movies about video games and why people play them have better luck. Also with Lil Rel Howery, Joe Keery, Utkarsh Ambudkar, Channing Tatum, and Chris Evans. Voices by Dwayne Johnson, Tina Fey, John Krasinski, and Hugh Jackman.
The Jesus Music (PG-13) The Erwin brothers (I Still Believe) direct this documentary about the history of Christian contemporary music.
Jungle Cruise (PG-13) Thuddingly mediocre Disney entry has none of the technical dazzle of Raiders of the Lost Ark nor any of the bracing weirdness of the better Pirates of the Caribbean films. This adventure film based on one of the Disneyland rides is set in 1916 and features Emily Blunt as a British archeologist who travels to Brazil and engages a rough riverboat captain (Dwayne Johnson) to take her on an Amazon expedition to find a lost treasure. The filmmakers are aiming for something like the Bogart-Hepburn chemistry from The African Queen, but it never materializes, and the only actor here who comes correct is Jesse Plemons as a German military officer who serves as a comic villain. This isn’t bad, necessarily. It’s just overwhelmingly Disney. Also with Edgar Ramírez, Jack Whitehall, Veronica Falcón, Andy Nyman, and Paul Giamatti.
Malignant (PG-13) First there was Insidious, then there was Sinister, and now this. What’s next, Deleterious? Annabelle Wallis stars in this horror film as a battered wife who starts to experience visions of supernatural murders as they happen, starting when a demon kills her abusive husband (Jake Abel) and mangles the corpse. The whole film is like a straight-faced version of Venom, and did I ever miss the humor. There’s a cool sequence when our protagonist is jailed in general lockup and the demon tears through the other prisoners in her cell to get to her, but the affair is taken down by bad acting, bad writing, and a plot revelation that takes too long to explain. James Wan brings his typical visual flourishes to this thing. If only he had some discipline in using them, he’d be onto something. Also with Maddie Hasson, George Young, Michole Briana White, Ingrid Bisu, Christian Clemenson, Jacqueline McKenzie, Jean Louisa Kelly, Paula Marshall, and McKenna Grace.
The Many Saints of Newark (R) This prequel to TV’s The Sopranos flashes some potential for an expanded universe, but it’s a pale copy on its own. Teenage Tony Soprano (Michael Gandolfini) is a supporting character in the story of his uncle Dickie Moltisanti (Alessandro Nivola), who’s gearing up for war with the Black gangsters who work for him, led by the guy running his numbers racket (Leslie Odom Jr.). There’s enough subplots in here for a season of TV, yet the storytelling still feels slack, as the humorous interludes fall flat and Dickie is too uninteresting a character to carry the film’s tragic weight. The young Gandolfini, the son of the late James Gandolfini, is quite good in the role that his father made famous. Even so, this movie plays like a supermarket Sunday gravy next to the real thing that the show gave us. Also with Vera Farmiga, Jon Bernthal, Michela de Rossi, Corey Stoll, Billy Magnussen, John Magaro, Ed Marinaro, William Ludwig, Ray Liotta, and Michael Imperioli.
Old (PG-13) M. Night Shyamalan remains great at putting the camera in the right place and moving it around, and also remains terrible at writing. Adapting Pierre Oscar Lévy and Frederik Peeters’ French graphic novel, the film stars Gael García Bernal and Vicky Krieps as parents of young children who take a vacation on a secluded beach and discover along with a few other groups of vacationers that the place is causing them to age rapidly. As always, Shyamalan creates enviable shots and goes easy on the sentimentality that has marred some of his previous work, but the film goes on too long and the trademark plot twist here (different from the one in the graphic novel) doesn’t pay off well enough. Ranking in the middle of the pack of Shyamalan’s films, this keeps you interested but no more. Also with Alex Wolff, Thomasin McKenzie, Abbey Lee, Nikki Amuka-Bird, Ken Leung, Eliza Scanlen, Embeth Davidtz, Aaron Pierre, Emun Elliott, Kathleen Chalfant, Gustaf Hammarsten, Francesca Eastwood, and Rufus Sewell.
Old Henry (NR) Tim Blake Nelson stars in this Western as a farmer who takes in a wounded man with a mysterious bag full of cash. Also with Scott Haze, Gavin Lewis, Max Arciniega, Trace Adkins, and Stephen Dorff. (Opens Friday)
Paw Patrol: The Movie (G) I think they just recycled the least creative scripts from the TV show and used it for this movie. The rescue puppies hit the big city, and the police dog (voiced by Iain Armitage) continually screws up as they try to rescue people from dangerous publicity stunts pulled by the Trump-like mayor (voiced by Ron Pardo). Not a single story beat of this thing registers as fresh, except perhaps the filmmakers’ unreasonable hatred of cats. The visuals are acceptable and the movie adds a bunch of celebrities as voices, but the whole affair has about as much energy as a sedated 14-year-old house pet. Additional voices by Marsai Martin, Will Brisbin, Yara Shahidi, Randall Park, Dax Shepard, Jimmy Kimmel, Kim Kardashian West, and Tyler Perry.
Un rescate de huevitos (PG) If you’ve never seen a Mexican animated movie for kids, you’ll be happy to know that this isn’t too shabby. The story begins on a farm where a rooster and hen (voiced by Bruno Bichir and Maite Perroni) have laid two golden eggs, which unfortunately attracts the attention of some Russian egg hunters who are searching for rare eggs to serve at a banquet in the Democratic Republic of the Congo. The concept of eggs that walk and talk to one another may be too weird for you, but the computer animation is at an acceptable level, the plot has enough twists to keep the kids engaged, and the throwaway gags in the background might raise a chuckle or two from the grown-ups. This is the fourth film in a series, but the first one to make it to our theaters. Additional voices by Carlos Espejel, Mauricio Barrientos, Angélica Vale, Freddy Ortega, Germán Ortega, Miguel Rodarte, and Jesús Ochoa.
Republic (NR) This Telugu-language political thriller stars Sai Dharam Tej, Aishwarya Rajesh, Jagapathi Babu, and Ramya Krishna.
Respect (PG-13) If you’re going to make a biopic of Aretha Franklin, Jennifer Hudson is the best you can do to cast as the Queen of Soul. Too bad this movie isn’t the best that can be done. Franklin’s eventful life is reduced to a series of episodes strung together indifferently and interspersed with Hudson’s cover versions of Franklin’s best-known hits, plus some from her abortive earlier career as a lounge jazz singer. The film has some great supporting work from Forest Whitaker as Franklin’s father and Marc Maron as Jerry Wexler, but these aren’t enough to knit this bloated exercise into a cohesive statement about its subject’s life and career, or even reveal much that’s new to casual fans. Also with Audra McDonald, Marlon Wayans, Tituss Burgess, Saycon Sengbloh, Brenda Nicole Moorer, Hailey Kilgore, Kimberly Scott, Gilbert Glenn Brown, Tate Donovan, and Mary J. Blige.
Shang-Chi and the Legend of the Ten Rings (PG-13) The superhero movie that the Chinese film industry has been trying to make for the last decade or so. The latest Marvel film stars Simu Liu as the son of a Chinese mob boss (Tony Leung) who has been lying low in San Francisco to escape that life. He’s forced to come out of hiding when he learns of his father’s plans to destroy a mythical Chinese village containing legendary beasts. Director/co-writer Destin Daniel Cretton skilfully imitates the pictorialism of Chinese martial-arts epics, gracefully imitates the flashbacks, and injects humor into the proceedings without strain. The fight sequences move at blinding speed, which helps compensate for Liu’s lack of distinction when it comes to depicting the hero’s damaged childhood. Leung is much better, as his mournful, haunted face keeps his villain from being one-dimensional. This is up to the standard of Marvel’s other superhero films, and its ties to Asian folklore set it apart. Also with Awkwafina, Michelle Yeoh, Zhang Meng’er, Fala Chen, Florian Munteanu, Andy Le, Yuen Wah, Ronnie Chieng, Tsai Chin, Benedict Wong, Tim Roth, Ben Kingsley, and uncredited cameos by Mark Ruffalo and Brie Larson.
Titane (R) This French thriller starts with its main character (Agathe Rousselle) murdering a male sexual predator and having sex with a car, and then it gets stranger from there. Only the second woman-directed film to win the Golden Palm at Cannes, this film is about a dancer, model, and serial killer who goes on the lam by shaving her head and posing as the missing teenage son of a fire captain (Vincent Lindon). She discovers the value of love and joy while living a normal life, and this idea shouldn’t work nearly as well as it does. That’s down to writer-director Julia Ducournau (Raw), the highly talented and irreducibly perverse filmmaker who intercuts beautiful visuals with body horror like we haven’t seen since prime David Cronenberg. Rousselle gives a star-making performance as a feral creature who uses her hotness to lure men and women to their deaths. Nobody makes female monsters like this filmmaker. Also with Garance Marillier, Laïs Salameh, Mara Cissé, Marin Judas, Diong-Kéba Tacu, Myriem Akheddiou, Adèle Guigue, Dominique Frot, and Bertrand Bonello.
Venom: Let There Be Carnage (PG-13) The series continues to be a useful odd entry in the world of superhero comic adaptations. Tom Hardy returns as Eddie Brock, San Francisco reporter with an alien symbiote inside him that eats people. When an imprisoned serial killer (Woody Harrelson) bites his hand, the being reproduces itself inside him, allowing him to massacre everyone who attends his execution. Andy Serkis takes over as director and has a tough time balancing between the action and the elements of dark humor, as the protagonist tries to keep the murderous thing inside him from coming out. There’s a funny interlude when Venom separates from Eddie, hits a costume party, and finds kinship among the out-and-proud gays there. The script also has a firmer grasp on the fact that Eddie is an idiot and a bad journalist. If only the series could find greater consistency in the non-Venom parts of these movies, they’d be awesome. Also with Michelle Williams, Naomie Harris, Stephen Graham, Reid Scott, and Peggy Lu.
DALLAS EXCLUSIVES
Apache Junction (R) This Western stars Scout Taylor-Compton as a big-city reporter following up a story in a remote haven for outlaws and killers. Also with Thomas Jane, Stuart Townsend, Victoria Pratt, Phil Burke, Danielle Gross, J. Nathan Simmons, and Trace Adkins.
The Auschwitz Report (NR) This World War II drama tells the real-life story of two Slovak Jews (Noel Czuczor and Peter Ondrejicka) who escape from the infamous Nazi concentration camp and report on the atrocities going on there. Also with John Hannah, Wojciech Mecwaldowski, Jacek Beler, Michal Rezný, and Lars Rudolph.
I’m Your Man (R) This German science-fiction film is about a hard-up scientist (Maren Eggert) who agrees to take part in an experiment, living with a humanoid robot (Dan Stevens) created to make her happy. Also with Sandra Hüller, Wolfgang Hübsch, Annika Meier, Hans Löw, Jürgen Tarrach, and Gabriel Muñoz Muñoz.
Rumba Love (NR) Guillermo Iván writes, directs, and stars in this drama as a Cuban rumba singer who emigrates to New York to make his reputation there. Also with Zair Montes, Ilean Almaguer, Osvaldo de León, Monte Bezell, Alfredo DIaz, and Jim Trucco.
The Survivalist (R) Jonathan Rhys-Meyers stars in this postapocalyptic thriller as an ex-FBI agent who must protect the life of a woman who’s mysteriously immune to the disease that has decimated humanity. Also with John Malkovich, Jenna Leigh Green, Ruby Modine, and Jon Orsini.
