OPENING
Citizen Jane: Battle for the City (NR) Matt Tyrnauer’s documentary profile of activist Jane Jacobs and her fight against the urban New York City planning of Robert Moses. (Opens Friday in Dallas)
The Dinner (R) Oren Moverman (The Messenger) directs this drama about two brothers (Richard Gere and Steve Coogan) and their wives (Laura Linney and Rebecca Hall) who gather to discuss what to do about their sons, who have been involved in a violent crime. (Opens Friday)
Enter the Warrior’s Gate (NR) Uriah Shelton stars in this epic as an American teenager who has to put his video gaming skills to use when he’s transported to ancient China. Also with Mark Chao, Ni Ni, Sienna Guillory, Xi Ming, Kara Hui, Francis Ng, and Dave Bautista. (Opens Friday at AMC Grapevine Mills)
Finding Oscar (NR) Ryan Suffern’s documentary looks at the search for justice in the 1982 Dos Erres massacre of indigenous people by the Guatemalan government. (Opens Friday in Dallas)
The Happiest Day in the Life of Olli Mäki (NR) Jarkko Lahti stars in this Finnish biography of the boxer who came close to the world featherweight championship in 1962. Also with Oona Airola, Eero Milonoff, Joonas Saartamo, Denis Lyons, John Bosco Jr., and Olli Mäki. (Opens Friday in Dallas)
Max 2: White House Hero (PG) Zane Austin stars in this kids’ movie as the President of the United States’ 12-year-old son who befriends a faithful dog. Also with Francesca Capaldi, Lochlyn Munro, Andrew Kavadas, Reese Alexander, and Carrie Genzel. (Opens Friday at AMC Grapevine Mills)
Norman: The Moderate Rise and Tragic Fall of a New York Fixer (R) Richard Gere stars in this drama about a small-time operator whose life changes when the young politician (Dan Stevens) he befriended at a low point suddenly becomes a rising star. Also with Michael Sheen, Charlotte Gainsbourg, Lior Ashkenazi, Josh Charles, Ann Dowd, Isaach de Bankolé, Hank Azaria, and Steve Buscemi. (Opens Friday in Dallas)
Risk (NR) Laura Poitras (Citizenfour) directs this documentary profile of WikiLeaks founder Julian Assange. (Opens Friday in Dallas)
This Is Not What I Expected (NR) Takeshi Kaneshiro stars in this romance as a Japanese CEO who’s drawn to a Chinese chef (Zhou Dongyu) by their shared love of food. Also with Sun Yi-zhou, Xi Ming, Lin Chiling, and Tony Yang. (Opens Friday in Dallas)
NOW PLAYING
Baahubali 2: The Conclusion (NR) The sequel to Baahubali: The Beginning stars Prabhas as a strong warrior in ancient India seeking answers about his lineage. Also with Rana Daggubati, Anushka Shetty, Tamannaah Bhatia, Ramya Krishnan, Nassar, and Sathyaraj.
Beauty and the Beast (PG) Emma Watson fits the Disney princess role like it was made for her, which is the more remarkable because we know it wasn’t. This live-action remake of the 1991 animated Disney musical is still a mixed bag, though. Screenwriters Stephen Chbosky and Evan Spiliotopoulos insert some feminist touches around the edges when they needed a radical refocusing of the script to make the romance look less like Stockholm syndrome. Director Bill Condon can’t bring any new life to the famous numbers. This movie does get better singing from its supporting cast than the original film, with Luke Evans looking liberated in the role of the narcissistic meathead Gaston and Josh Gad matching him well as his gay toady. Watson is a cooling vocal presence who doesn’t hit the dizzying highs of other recent singing actresses from Disney films. She does stately as well as anyone, but she was made to do more interesting things. Also with Dan Stevens, Ewan McGregor, Ian McKellen, Audra McDonald, Stanley Tucci, Gugu Mbatha-Raw, Nathan Mack, Hattie Morahan, Kevin Kline, and Emma Thompson.
Born in China (G) The latest Disney nature documentary doesn’t deviate from the template of the others, following the lives of a snow leopard, a giant panda, and a golden monkey, all living in different parts of China. The shots of the wildlife are gorgeous, but the movie discreetly cuts away from any bloodshed that the carnivores inflict, and the cutesy narration by John Krasinski will make you want to wipe out all the wild animals on the planet. You’re better off going to YouTube to observe the creatures that live in this far-off land.
The Boss Baby (PG) This watchable and instantly forgettable animated film is about a boy (voiced by Miles Bakshi) who discovers that his new suit-and-tie-wearing baby brother (voiced by Alec Baldwin) is secretly an operative for the corporation that makes babies who’s undercover to save his company from losing market share to puppies. The bizarre conceit is taken from Marla Frazee’s children’s book, and the filmmakers (including Tom McGrath, the director of the Madagascar movies) can’t make it any less so. There’s one clever reference to Baldwin’s role in Glengarry Glen Ross, and that’s it for the wit on display here. This isn’t anywhere as bad as it could have been, but it still needed to be better. Additional voices by Steve Buscemi, Jimmy Kimmel, Lisa Kudrow, James McGrath, and Tobey Maguire.
Can’t Help Falling in Love (NR) Daniel Padilla and Kathryn Bernardo star in this Filipino comedy as two strangers who accidentally wind up married to each other. Also with Matteo Guidicelli, Cherry Pie Picache, Lito Pimentel, and Dennis Padilla.
The Case for Christ (PG) Marginally better than other Christian films. Mike Vogel portrays Lee Strobel, the real-life Chicago investigative journalist who looked into Christianity after his wife (Erika Christensen) started going to church and wound up converting from atheism to Christianity. The procedural nature of this story helps dry it out and keep it from some of the excesses of other movies preaching to the converted. The movie’s early 1980s setting looks right, but director Jon Gunn can’t build this up to any sort of dramatic climax. Also with Robert Forster, Frankie Faison, Kevin Sizemore, L. Scott Caldwell, and Faye Dunaway.
The Circle (PG-13) The biggest disappointment of the spring. Emma Watson stars in this thriller as a California woman who gets her dream job at a Silicon Valley tech firm before she discovers that the CEO (Tom Hanks) is planning to subject everyone in the world to round-the-clock surveillance to force them into good behavior. Watson is loose and funny, Hanks nails the warm and fatherly bad guy part, and the late Bill Paxton shines in his last screen performance as the heroine’s MS-afflicted dad, but the movie shares flaws with the Dave Eggers novel that it’s based on, and James Ponsoldt (The End of the Tour) directs this too smoothly, failing to conjure the paranoid atmosphere that this needs. Tech’s real-life dangers have outstripped the ones in this movie. Also with John Boyega, Ellar Coltrane, Karen Gillan, Nate Corddry, Ellen Wong, Patton Oswalt, Judy Reyes, and Glenne Headly.
Colossal (R) Anne Hathaway has never been funnier than in this science-fiction black comedy in which she plays an unemployed, alcoholic New York writer who crawls back to her hometown and discovers that every time she gets drunk there, a monster appears in Seoul, South Korea and destroys the city. The monster isn’t the subtlest metaphor for the collateral damage that her character inflicts on other people when she’s wasted, but Hathaway is a delight with the part’s physical comedy and her character’s awareness that she’s made a mess of her own life. Jason Sudeikis does terrific work as a nice-guy childhood friend with undercurrents of repressed rage, and Spanish writer-director Nacho Vigalondo keeps the American parts low-rent to set us up for a spectacular climax in Seoul. Also with Austin Stowell, Tim Blake Nelson, Hannah Cheramy, Nathan Ellison, and Dan Stevens.
The Fate of the Furious (PG-13) Why do I get the sense that they’re running out of things to do? Maybe the next installment will have the crew fighting the zombie apocalypse in space. For now, the racers have to fight against Dominic Toretto (Vin Diesel), who has improbably been turned to the dark side by a dragon lady cyberterrorist (Charlize Theron) who spends way too much time talking about her philosophy of life. Actually, everybody spends too much time talking, and dialogue has never been the series’ strong suit. There’s one nice sequence through the streets of Manhattan when the villain turns every car into a self-driving car, but the climactic sequence in polar Russia with the cars being chased down by a submarine is just silly. Also with Dwayne Johnson, Jason Statham, Michelle Rodriguez, Tyrese Gibson, Ludacris, Luke Evans, Scott Eastwood, Nathalie Emmanuel, Elsa Pataky, Kurt Russell, and Helen Mirren.
Get Out (R) An early candidate for one of the best movies of 2017, this darkly funny horror film stars Daniel Kaluuya (Sicario) as a young African-American man who travels with his white girlfriend (Allison Williams) to meet her parents, only to find that black people never seem to leave the family’s gated community. In his directing debut, comedian Jordan Peele scores direct hits on white liberal racism in the Northeastern enclave where the movie’s set, and he knows how to scare us through the accretion of creepy detail. He’s aided by terrific performances from his cast, and fans of TV’s Girls will definitely see Williams in a new light. Horror movies haven’t historically been a haven for black filmmakers. Here’s one good enough to start a tradition. Also with Keith Stanfield, Bradley Whitford, Catherine Keener, Caleb Landry Jones, Lil Rel Howery, Betty Gabriel, Marcus Henderson, Erika Alexander, and Stephen Root.
Ghost in the Shell (PG-13) Motoko Kusanagi is dead, and her brain has been transplanted into Scarlett Johansson’s body. That’s the takeaway from this terrific-looking but no more than proficient live-action adaptation of Mamoru Oshii’s 1995 anime film. Johansson plays the series’ cybernetically enhanced soldier heroine, who works to take down the most dangerous criminals in a futuristic Tokyo. Director Rupert Sanders (Snow White and the Huntsman) keeps the thing from any lulls in momentum, though he and his screenwriters can’t replicate the philosophical underpinnings of the original. Good thing Johansson is in terrific form. Cult filmmaker Takeshi Kitano portrays her boss, barking out orders in Japanese while everyone else responds to him in English. Also with Pilou Asbæk, Michael Pitt, Chin Han, Peter Ferdinando, Danusia Samal, Anamaria Marinca, and Juliette Binoche.
Gifted (PG-13) Not great art, but the acting keeps this dramedy just on this side of watchable. Chris Evans stars as a Florida boat repairman who’s raising his 7-year-old niece (Mckenna Grace) when word of her mathematical genius leaks out and he gets into a custody battle over the girl with his mathematician mother (Lindsay Duncan). Essentially, this is the plot of Little Man Tate all over again. The thing threatens to drown in sentimentality in the second half, but Evans’ customary low-key excellence and Grace’s bright incisiveness keep the thing above water. Evans also gets a nice romantic subplot with Jenny Slate’s first-grade teacher, as the two actors were a couple at the time of filming. Also with Octavia Spencer, Michael Kendall Kaplan, John M. Jackson, Glenn Plummer, John Finn, and John Sklaroff.
Going in Style (PG-13) A jittery criminal asks Michael Caine if he’s five-oh. He says, “We’re practically eight-oh.” If you find that hilarious, then this comedy that’s even more toothless than the senior citizens populating it is for you. Caine co-stars with Morgan Freeman and Alan Arkin as laid-off New York City steelworkers who decide to rob the bank that’s dissolving their pensions and leaving them with nothing. I don’t know for sure if director Zach Braff (Garden State) took this as a paycheck job, but I do know it feels that way. His distinctive visual sense is nowhere in evidence, and even his sense of comic timing has deserted him. Hell or High Water, this isn’t. Also with Ann-Margret, John Ortiz, Joey King, Christopher Lloyd, Peter Serafinowicz, Kenan Thompson, Maria Dizzia, Josh Pais, Siobhan Fallon Hogan, and Matt Dillon.
How to Be a Latin Lover (PG-13) Mexican comedy superstar Eugenio Derbez has acted in English before, but this is the first English-language movie that he has starred in. He plays a trophy husband who gets ditched by his 80-year-old wife (Renée Taylor) for a younger man and has to learn how to make a living while moving in with his sister (Salma Hayek) and her science-nerd son (Raphael Alejandro). The story takes wearisomely predictable turns, and yet the change in language has done little to disrupt Derbez’ sense of comic timing or his gifts as a clown. With better material, he could make some noise on our side of the border. Watch for Kristen Bell’s cameo as an insanely cheerful yogurt shop manager who lives with about 50 cats. Also with Rob Lowe, Rob Corddry, Rob Riggle, Rob Huebel, Mckenna Grace, Vadhir Derbez, Linda Lavin, and Michael Cera.
Life (R) This derivative and pointlessly bleak space opera wants so badly to be a mix of Alien and Gravity, and it doesn’t get near that territory. It starts when the crew of multinational astronauts at the International Space Station study a drone-collected sample of Martian soil and find an organism that they nurture until it grows into a superintelligent flesh-eating octopus swimming through the air. The plot reduces actors such as Jake Gyllenhaal and Ryan Reynolds to fodder waiting to be picked off one by one by the alien. Director Daniel Espinosa (Safe House) is technically proficient, executing a nice Gravity-style extended tracking shot to open the proceedings, but he can’t bring any life to this stale script by Deadpool writers Rhett Reese and Paul Wernick. Also with Rebecca Ferguson, Hiroyuki Sanada, Olga Dihovichnaya, and Ariyon Bakare.
Logan (R) Hugh Jackman’s final outing as Wolverine is 1) a Western, 2) a Latino film, and 3) way better than I expected. In a near-future dystopia, the once-fearsome superhero is now a gray-haired alcoholic who heals much slower and has to transport his long-lost daughter (Dafne Keen), a Mexican girl with his claws and raging temper, to safety. The R rating allows for much more brutal action sequences and pricklier banter between Logan and Prof. Xavier (Patrick Stewart), a gibbering old man who regains his lucidity when he finds another mutant to take care of. Westerns seem to fire the imagination of director James Mangold (3:10 to Yuma), and he puts in all sorts of clever touches around the edges of this thing as well as a thematically apt reference to Shane. The excellent supporting cast provides a great setting for Jackman to shine in his last turn as this memorably flawed hero. Also with Boyd Holbrook, Stephen Merchant, Elizabeth Rodriguez, Eriq LaSalle, Elise Neal, Quincy Fouse, and Richard E. Grant.
The Lost City of Z (PG-13) Based on author David Grann’s non-fiction bestseller, this tells the story of British explorer and army officer Percy Fawcett (Charlie Hunnam) and his ill-fated, life-long quest to find a lost city in the Amazon jungle. Alternately thrilling and plodding, talky and riveting, this portrait of Fawcett is neither exciting enough to serve as true-life, Victorian-era Indiana Jones tale nor grandiose enough to qualify as a serious period drama. We can’t tell what kind of film it’s supposed to be, and its 141 minute running time makes it feel bloated. Despite the film’s occasional slide into tedious Merchant Ivory pretensions, there are hallucinatory moments of Amazonian terror and World War I trench warfare that are completely captivating. Also with Sienna Miller, Robert Pattinson, Tom Holland, Edward Ashley, Angus Macfadyen, and Ian McDiarmid. — Steve Steward
Love Off the Cuff (NR) This third film in a romantic series follows the relationship of one Hong Kong couple (Shawn Yue and Miriam Chin-Wah Yueng) seven years after they first got together. Also with Jiang Mengjie, Derek Tsang, Susan Shaw, Wang Xiaochen, Toby Lee, and Paul Chun.
Power Rangers (PG-13) I spent the first half of this movie preparing to say that it wasn’t half bad. Then I saw the second half. A new crop of teenagers finds the old power suits and is forced to work together to protect the planet from a former ranger (Elizabeth Banks) who wants to destroy all life on Earth. The first half does a fairly good job of drawing together these kids from screwed-up backgrounds, including a black kid with autism (RJ Cyler) and a Latina (Becky G.) whose bisexuality is referred to in the obliquest of ways. When the rangers have to face off against a giant town-wrecking golden demon, that’s when this movie falls apart. Director Dean Israelite (Project Almanac) isn’t good with the special effects and seems to think that realism means making everything look like crap. Also with Dacre Montgomery, Naomi Scott, Ludi Lin, Bill Hader, David Denman, Anjali Jay, and Bryan Cranston.
The Promise (PG-13) And still no one has made a good movie about the Armenian genocide. Charlotte Le Bon stars as an Armenian-French woman who travels to Turkey in 1914 and finds herself torn between her American journalist fiancé (Christian Bale) and an Armenian-Turkish medical student (Oscar Isaac) whose family is targeted by the Ottoman government. Director Terry George (Hotel Rwanda) wants so badly to convey the scale of this historical event which still hasn’t been acknowledged by Turkey, but he directs with zero flair, and there’s no romantic chemistry among the three principal actors here. The movie huffs and puffs but makes little impression. Also with Shohreh Aghdashloo, Angela Sarafyan, Daniel Giménez Cacho, Marwan Kenzari, Tom Hollander, Jean Reno, Numan Acar, Igal Naor, Milene Mayer, Rade Serbedzija, and James Cromwell.
The Shack (PG-13) Sam Worthington continues to be a wretched actor at the center of this Christian drama as a man from a tortured background who’s coping with the aftermath of his daughter’s abduction and murder by receiving a visit from God (Octavia Spencer), taking the form of a kindly childhood neighbor. Time stops during the meeting, and so does the movie’s plot as we get more than two hours of calming salve for all of the main character’s many psychic wounds. Spencer is a properly God-like presence, but director Stuart Hazeldine can’t convey God’s grace in anything but the cheesiest terms, and his wooden lead actor keeps losing the handle on his American accent. It’s a pretty bad time all around. Also with Radha Mitchell, Alice Braga, Megan Charpentier, Amélie Eve, Avraham Aviv Alush, Sumire, Graham Greene, and Tim McGraw.
Sleight (R) Jacob Latimore stars in this low-budget science-fiction drama as an inner-city kid who must use his powers of telekinesis to save his sister (Storm Reid) after she’s kidnapped by a gang. Also with Seychelle Gabriel, Sasheer Zamata, Michael Villar, Brandon Johnson, Cameron Esposito, and Dulé Hill.
Smurfs: The Lost Village (PG) Marginally more watchable than the partially live-action films that have come before it, this wholly animated film features Smurfette (voiced by Demi Lovato) leading an unauthorized expedition into the Forbidden Forest to get to a village of lost Smurfs before Gargamel (voiced by Rainn Wilson) gets to it. There’s a development that takes some (but not all) of the weirdness out of the fact that Smurfette is the only female in her village, but the jokes aren’t funny and the story’s emotional hooks don’t hook us. The best that can be said here is that Lovato is an upgrade on Katy Perry in her role. Additional voices by Michelle Rodriguez, Ariel Winter, Mandy Patinkin, Ellie Kemper, Jake Johnson, Gabriel Iglesias, Jeff Dunham, and Julia Roberts.
Unforgettable (R) A title like that just paints a big target on a movie’s back, and this one isn’t near nimble enough to avoid being hit. Rosario Dawson stars as a woman who marries her dream guy (Geoff Stults) only to find her life being made hell by his ex-wife (Katherine Heigl) who’s the mother of his child. The film has two good ideas in having the biological mother be the crazy, high-maintenance villain and casting Heigl in the part, but the retrograde script by Christina Hodson holds no surprises, and the whole thing eventually falls apart in the hands of longtime producer-turned-director Denise Di Novi. Thirty years after Fatal Attraction, this film seems to have stood in place. Also with Whitney Cummings, Isabella Kai Rice, Simon Kassianides, Robert Wisdom, Jayson Blair, and Cheryl Ladd.
The Zookeeper’s Wife (PG-13) The inspiring story of Antonina Zabinska, a zookeeper at the Warsaw Zoo who hid hundreds of Jews during the Holocaust, gets turned into this tepid biopic. Jessica Chastain stars, rendering some of her lines unintelligible with her Polish accent. The thing starts off reasonably well before bogging down in the second half, as Antonina tries to stay loyal to her husband (Johan Heldenberg) while leading on a Nazi officer (Daniel Brühl) to keep everyone alive. Despite a few inventive touches here and there from director Niki Caro (Whale Rider), this film never reaches the emotional critical mass that it’s aiming for. Also with Timothy Radford, Val Małoku, Efrat Dor, Iddo Goldberg, Shira Haas, and Michael McElhatton.
DALLAS EXCLUSIVES
Jeremiah Tower: The Last Magnificent (R) Lydia Tenaglia’s documentary profile of the chef who attained superstar status in the late 1970s before disappearing for more than a decade. Also with Mario Batali, Anthony Bourdain, and Ruth Reichl.
A Very Sordid Wedding (NR) Del Shores’ sequel to his 2001 comedy takes place in the same small Texas town as a memorial service for a beloved citizen coincides with an anti-gay rally. Starring Bonnie Bedelia, Leslie Jordan, Caroline Rhea, Dale Dickey, Kirk Geiger, Rosemary Alexander, Lorna Scott, Ann Walker, and Whoopi Goldberg.
